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    Home»SEVENTEEN»New & Noteworthy J-pop of the Week (February 22, 2026)
    New and Noteworthy J-pop
    SEVENTEEN

    New & Noteworthy J-pop of the Week (February 22, 2026)

    February 22, 20263 Mins Read
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    In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in what’s new in J-pop.

    With that in mind, here’s where you come in: I’m one person with one set of musical preferences, so please embed any other new J-pop tracks you’ve enjoyed in the comments so we can get a fuller spectrum each week.

    2023-2025 Index

    2026 Index: Dec 28 – Jan 3 // Jan 4 – Jan 10 // Jan 11 – Jan 17 // Jan 18 – Jan 24 // Jan 25 – Jan 31 // Feb 1 – Feb 7 // Feb 8 – Feb 14

    Ado – Vivarium

    This definitely has a heavier edge in places.

    Aile The Shota – Kaika sengen

    This opens with such a flurry of energy but quickly becomes quite dull.

    AKB48 – Nagorizakura

    The chorus has a nice nostalgic sound that’s appealing, if familiar.

    The Beat Garden – Element

    I miss when they used to do upbeat dance-rock! I’m sure this treacly sound is more profitable, though.

    CRAVITY – Blast Out

    Hmm… not my favorite sound for them and a weird follow-up from their very strong 2025.

    JAM HEADS – Another Call

    Really not sure about that group name, but this song has its moments.

    M!LK – Bakuretsu Aishiteru

    I wrote about this last week and now it has an mv.

    ≒JOY – Amagami Girl (ft. DJ Alice)

    The chorus is strong. Not sure about the rest.

    Produce 101 Japan Shinsekai – Shinsekai (song of the week!)

    Yep, we’re still making these Produce 101 themes. This one’s a bit different, though. It’s got a rock vibe that works surprisingly well. I actually love it and kind of wish it was just a regular idol comeback!

    Reol – Utsukushi Jigoku

    This sounds like it’s pulling from Ado’s sonic playground.

    RIIZE – All Of You

    I wrote about this here. I thought it was just okay.

    Ryugujo – Girari

    Here’s the thing: this is fine, and has some decent moments. However, it lacks specificity. Anyone could have been given this song. I really fell in love with how unique their sound was and it’s a shame to see that watered down now that Avu-chan isn’t producing them anymore.

    The Super Fruit – Koi Wa Merry Go Round

    This feels slightly new for them but still conforms to their cutesy sound.

    Takumi Ozaki & Kyosuke Fujimaki (INI) – Fly High

    A nice, celebratory energy.

    Toma Ikuta – Super Romance

    Very old-school. It’s fun, I guess.

    Travis Japan – KAGENIMO-HINATANIMO

    This has a more refined sound than much of their singles, but I kind of miss the goofy funk they debuted with.

    Voksy Days – Light It Up

    There are some interesting things happening in this instrumental.

    ZORN – Jimoto Love (ft. Maki Goto)

    That feature certainly caught my attention, but overall this isn’t all that memorable.

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